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84. The Fireman’s Ball (1967)

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by Shubhajit Lahiri If film noirs are known for their cynicism, nihilism, and stylized photography and chiaroscuro, Italian Neorealism for disarming simplicity, stark realism and lyrical storytelling, and French Nouvelle Vague for avant-garde style, cheeky reversal of genre conventions and formalist approach to cinema, Czech New Wave shall always be remembered for the array of [...]

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