By Marilyn Ferdinand Those of us who love the silent clowns of cinema—Keaton, Chaplin, Lloyd, and many others—have a very affectionate place in our hearts for their kindred spirit, Jacques Tati. From his short films to his greatest masterpiece, Play Time (1967), and beyond, Tati created and honed his clown persona, Monsieur Hulot, and pitted [...]![]()
